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Danse de la chèvre (French for Dance of the Goat) is a piece for solo flute by Arthur Honegger, written in 1921 as incidental music for dancer Lysana of Sacha Derek's play La mauvaise pensée. At the start of the piece, there is a slow dreamlike introduction consisting of tritone phrases.
1937 : H 110 Marthe Richard au service de la France 1911 : H 110a Orgue dans l'église for organ, music used in Marthe Richard au service de la France, H 110 1937 : H 111 Prelude á la Mort de Jaurès from the show Liberté, in collaboration with Arthur Hoérée, lost 1937 : H 112 Liberté, in collaboration with Arthur Hoérée, lost
Honegger collaborated with the other members of Les Six only in 1920 (with a short 'Sarabande' for L'Album des Six), and 1921 (with a 'Marche funèbre' for Les mariés de la tour Eiffel, and finally in 1952 (with a 'Toccata' for La Guirlande de Campra). Honegger's Sonata for cello and piano H. 32 composed in 1920 was premiered in 1921 by Diran ...
Théâtre du Jorat, Mézières, where the dramatic psalm was first performed. Original 1921 version: Honegger originally wrote his Le Roi David music for the forces that were available at Morax's Mézières village theatre group, creating a score for the resources available; a small ensemble of 16 musicians comprising: 2 flutes [1 doubling piccolo], 1 oboe [doubling cor anglais], 2 clarinets ...
Honegger's symphony, which contains musical quotations from two Basel folk songs, expresses the composer's happiness during a pleasant stay in the Swiss countryside after the end of World War II. [2] Despite the pastoral and often joyous mood throughout much of the symphony, the closing minutes include some tragic or more serious elements.
Jeanne d'Arc au Bûcher: 2019 Stéphane Denève: Concertgebouw Orchestra: RCO Live Le Roi David: Charles Dutoit: Bavarian Radio Symphony Orchestra: Le Roi David Michel Piquemal: Orchestre de la Cité, Ile de France Regional Chorus: Naxos (USA) Une cantate de Noël: 1962 Ernest Ansermet: Orchestre de la Suisse Romande: Decca Une cantate de Noël ...
From 1952 to 1968, René Le Roy was a solo flute at the New York City Opera Orchestra, and until 1971 he was a chamber music teacher at the Conservatoire de Paris. Among his students were Christine Alicot, Juho Alvas, Thomas Brown, Susan Morris DeJong, Geoffrey Gilbert and Bassam Saba.
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