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Hawkins wrote the lyrics the morning before the song was recorded and considered them sub-par: "To be honest, the lyrics suck, it's more about the melody. And Dave always said he liked it, and I was like, 'Yeah, bull.'" [1] [2] [3] Billboard cited "Cold Day in the Sun" as one of the standout tracks on CD2 of In Your Honor. [4]
"Someone Could Lose a Heart Tonight" is a song co-written and recorded by American country music artist Eddie Rabbitt. The song was written by Rabbitt, Even Stevens and David Malloy . "Someone Could Lose a Heart Tonight" was released in November 1981 as the second single from the album Step by Step .
"Heartache Tonight" is a song written by Don Henley, Glenn Frey, Bob Seger and JD Souther, recorded by the Eagles and features Glenn Frey on lead vocals. The track was included on their album The Long Run and released as a single in 1979.
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
"Blame It on Your Heart" is a song written by Harlan Howard and Kostas and recorded by American country music artist Patty Loveless. It was released in April 1993 as the first single from her album Only What I Feel .
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Williams adapted the melody for the song from T. Texas Tyler's 1945 recording of "You'll Still Be in My Heart," written by Ted West in 1943. [4]In the Williams episode of American Masters, country music historian Colin Escott states that Williams was moved to write the song after visiting his wife Audrey in the hospital, who was suffering from an infection brought on by an abortion she had ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...