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The dress was an embroidered "Tudor-style" wedding dress with a high collar and "mediaeval" trumpet sleeves, [1] [5] with white silk chiffon under sleeves edged with pearls and other jewels. [6] Her veil was made of silk net embroidered with floral sprays, and her "something borrowed" was the Queen Mary Fringe tiara. [6]
The final design of the dress was kept secret, although much speculation surrounded it. It was said the princess feared that if details were published fashion house copies would make it impossible for her to make last-minute design alterations. [11] The dress was taken to the palace a day before the wedding in a 4-foot (1.2 m) box.
More than half of wedding guests itself were family and friends of the couple, though there were a significant number of Commonwealth leaders (including the governors-general who represent the Queen in Commonwealth realms other than the UK, prime ministers of the Commonwealth realms, and heads of government of other Commonwealth countries ...
The main body of the dress was made in ivory and white satin gazar, using UK fabrics which had been specially sourced by Sarah Burton, with a long, full skirt designed to echo an opening flower, with soft pleats which unfolded to the floor, forming a Victorian-style semi-bustle at the back, and finishing in a short train measuring just under ...
The dress was made of ivory silk taffeta, decorated with lace, hand embroidery, sequins, and 10,000 pearls. It was designed by Elizabeth and David Emanuel and had a 25-foot (7.6 m) train of ivory taffeta and antique lace. [9] The dress was designed according to Diana's wishes who wanted it to have the longest train in the royal wedding history. [9]
The wedding dress was designed by Norman Hartnell, the favoured couturier of the royals, and was made from silk organza. The skirt comprised some 30 metres of fabric. Hartnell specifically kept the adornments of the dress such as the crystal embellishments and beading to a minimum in order to suit Margaret's petite frame. [1]
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