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The open G tuning variant G–G–D–G–B–D was used by Joni Mitchell for "Electricity", "For the Roses" and "Hunter (The Good Samaritan)". [36] Truncating this tuning to G–D–G–B–D for his five-string guitar, Keith Richards uses this overtones-tuning on the Rolling Stones 's " Honky Tonk Women ", " Brown Sugar " and " Start Me Up ".
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
The chromatic scale climbs after exactly four frets in major-thirds tuning, so reducing the extensions of the little and index fingers ("hand stretching"). [6] For other regular tunings, the successive strings have intervals that are minor thirds, perfect fourths, augmented fourths, or perfect fifths; thus, the fretting hand covers three, five ...
The Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.It is named after the Ionian Greeks.. It is the name assigned by Heinrich Glarean in 1547 to his new authentic mode on C (mode 11 in his numbering scheme), which uses the diatonic octave species from C to the C an octave higher, divided at G (as its dominant, reciting tone/reciting note or tenor ...
For each major scale, there is a corresponding natural minor scale, sometimes called its relative minor. It uses the same sequence of notes as the corresponding major scale but starts from a different note. That is, it begins on the sixth degree of the major scale and proceeds step-by-step to the first octave of the sixth degree.
In Baroque music, G major was regarded as the "key of benediction". [1] Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of 6 8 chain rhythms", according to Alfred Einstein, [2] although Bach also used the key for some 4
That is, the scale has the same series of tones and semitones as the major scale, but with a minor seventh. As a result, the seventh scale degree is a subtonic, rather than a leading-tone. [7] The flattened seventh of the scale is a tritone away from the mediant (major-third degree) of the key. The order of whole tones and semitones in a ...
Dominant seventh chord normally paired with mixolydian scale, [5] the fifth mode of the major scale. The scales commonly used today consist of the seven modes of the diatonic scale, the seven modes of the melodic minor scale, the diminished scales, the whole-tone scale, and pentatonic and bebop scales. [7]
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