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You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses ...
A typical representation of the comedy and tragedy masks The comedy and tragedy masks are a pair of masks, one crying and one laughing, that have widely come to represent the performing arts . Originating in the theatre of ancient Greece , the masks were said to help audience members far from the stage to understand what emotions the characters ...
Comedy_and_tragedy_masks.jpg: Scott Freiheit - creator of An Undiscovered Musicals web-site derivative work: Bea o I, the copyright holder of this work, hereby publish it under the following license:
This image is a derivative work of the following images: File:Drama-icon.svg licensed with Cc-by-sa-3.0-migrated-with-disclaimers, GFDL-en 2007-01-22T03:29:05Z IvanLanin 480x360 (6261 Bytes) {{Information |Description=The dramatic masks of Thalia and Melpomene, the Muses of Comedy and Tragedy; rendered in highly stylized form. |Source=[[:en ...
The dramatic masks of Thalia and Melpomene, the Muses of Comedy and Tragedy; rendered in highly stylized form. Date: 2 July 2006: Source: en:Image:Drama-icon.svg: Author: User:Booyabazooka: Permission (Reusing this file) GFDL-en: Other versions: Derivative works of this file: Theatre copyright icon.svg
The sock and buskin, like the comedy and tragedy masks, are associated with two Greek Muses, Melpomene and Thalia.Melpomene, the Muse of tragedy, is often depicted wearing buskins and holding the mask of tragedy, while Thalia, the Muse of comedy, is often depicted wearing the comic's socks and holding the mask of comedy.
Pages in category "Masks in theatre" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. C. Comedy and tragedy masks; M.
In Greek and Roman theatre, makeup was unnecessary. Actors wore various masks, allowing them to portray another gender, age, or entirely different likeness. [1] Thespis, considered to be the first actor, used white lead and wine to paint his face. [2] In medieval Europe, actors altered their appearances by painting their faces a different color.
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