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  2. Baroque music - Wikipedia

    en.wikipedia.org/wiki/Baroque_music

    The middle Baroque period in Italy is defined by the emergence of the vocal styles of cantata, oratorio, and opera during the 1630s, and a new concept of melody and harmony that elevated the status of the music to one of equality with the words, which formerly had been regarded as pre-eminent. The florid, coloratura monody of the early Baroque ...

  3. Transition from Renaissance to Baroque in instrumental music

    en.wikipedia.org/wiki/Transition_from...

    In the years centering on 1600 in Europe, several distinct shifts emerged in ways of thinking about the purposes, writing and performance of music.Partly these changes were revolutionary, deliberately instigated by a group of intellectuals in Florence known as the Florentine Camerata, and partly they were evolutionary, in that precursors of the new Baroque style can be found far back in the ...

  4. Rococo - Wikipedia

    en.wikipedia.org/wiki/Rococo

    Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...

  5. Dates of classical music eras - Wikipedia

    en.wikipedia.org/wiki/Dates_of_classical_music_eras

    Prehistoric music encompasses that music which existed prior to any historical record. Ancient music extended from approximately 1500 BCE until the fall of Rome in 476 CE. Modernist, and Postmodernist music have been tacitly combined under the 20th century banner as defined by the calendar. However postmodernist music constitutes a separate era ...

  6. Doctrine of the affections - Wikipedia

    en.wikipedia.org/wiki/Doctrine_of_the_affections

    The doctrine of the affections, also known as the doctrine of affects, doctrine of the passions, theory of the affects, or by the German term Affektenlehre (after the German Affekt; plural Affekte) was a theory in the aesthetics of painting, music, and theatre, widely used in the Baroque era (1600–1750).

  7. Heinrich Schütz - Wikipedia

    en.wikipedia.org/wiki/Heinrich_Schütz

    Heinrich Schütz (German:; 18 October [O.S. 8 October] 1585 [1] – 6 November 1672 [2]) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach and one of the most important composers of the 17th century.

  8. Baroque - Wikipedia

    en.wikipedia.org/wiki/Baroque

    The Baroque period was a golden age for theatre in France and Spain; playwrights included Corneille, Racine and Molière in France; and Lope de Vega and Pedro Calderón de la Barca in Spain. During the Baroque period, the art and style of the theatre evolved rapidly, alongside the development of opera and of ballet.

  9. Word painting - Wikipedia

    en.wikipedia.org/wiki/Word_painting

    Word painting flourished well into the Baroque music period. One well-known example occurs in Handel's Messiah, where a tenor aria contains Handel's setting of the text: [3] Every valley shall be exalted, and every mountain and hill made low; the crooked straight, and the rough places plain. (Isaiah 40:4) [4]