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"Golden Slumbers" is a song by the English rock band the Beatles from their 1969 album Abbey Road. Written by Paul McCartney and credited to Lennon–McCartney, [2] [3] it is the sixth song of the album's climactic B-side medley. The song is followed by "Carry That Weight" and begins the
The Beatles began recording "Golden Slumbers"/"Carry That Weight" as one piece on 2 July 1969. [5] McCartney, Harrison, and Ringo Starr recorded 15 takes of the two songs [5] while Lennon was in a hospital recovering from a car accident in Scotland. [6] The rhythm tracks featured McCartney on piano, Harrison on bass guitar, and Starr on drums.
These include demos, outtakes, songs the group only recorded live and not in the studio and, for The Beatles Anthology in the 1990s, two reunion songs: "Free as a Bird" and "Real Love". [41] A final reunion song, "Now and Then", was released in 2023. [42] The Beatles remain one of the most acclaimed and influential artists in popular music history.
American guitarist George Benson covered the song in a medley with "Golden Slumbers" in his 1970 album The Other Side of Abbey Road. [18] Comedy rock duo Tenacious D covered "You Never Give Me Your Money" in medley with "The End" as a single released on 2 July 2021. The proceeds benefit Doctors Without Borders. [19]
A music video for “Now and Then”, which is expected to be the last Beatles song, has been released. The video, directed by Peter Jackson, includes unseen footage of the band and what the ...
Martin Johnson of The Wall Street Journal wrote that "The new album aims for smaller changes rather than full-blown reinvention." [ 13 ] Steven Wine writing for Associated Press added, "The album pairs jazz’s most lyrical living pianist with songwriting masters of melody, and Mehldau finds fresh radiance in the familiar tunes by exploring ...
In 1976, the Bee Gees had recorded three Beatles cover songs, "Golden Slumbers / Carry That Weight", "She Came In Through the Bathroom Window" and "Sun King", for the musical documentary All This and World War II. The Beatles' former producer, George Martin, served as musical director, conductor, arranger and producer of the film's soundtrack ...
By the mid-1960s, the Beatles became interested in tape loops and found sounds. [36] [37] Early examples of the group sampling existing recordings include loops on "Revolution 9" [37] (the repetitive "number nine" is from a Royal Academy of Music examination tape, some chatter is from a conversation between George Martin and Apple office manager Alistair Taylor, and a chord from a recording of ...