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In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
List of chords. 1 language. 中文; Edit links ... Download QR code; Print/export Download as PDF; Printable version; In other projects ... 5-31A: 0 4 7 t 1: Major ...
These chords are all borrowed from the key of E minor. Similarly, in minor keys, chords from the parallel major may also be "borrowed". For example, in E minor, the diatonic chord built on the fourth scale degree is IVm, or A minor. However, in practice, many songs in E minor will use IV (A major), which is borrowed from the key of E major.
A major upgrade: This version discusses the tertian harmonization of the major scale on C, giving fingerings drawn with GNU Lilypond. Errors have been corrected. Copy editing has improved the exposition. 10:54, 30 October 2012: 1,275 × 1,650, 13 pages (233 KB) Kiefer.Wolfowitz: Removed stray parenthesis ")." in abstract.
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
It makes playing in the key of A major easier, though chord fingerings have to be altered unless the strings are rearranged to F ♯-B-E-A-C ♯. Open G tuning – G-d-g-b-d' Some slide/bottleneck guitarists omit the bottom E string when playing in open G to have the root note as the tonic. This tuning is used by Keith Richards.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
1st ⓘ, [1] 2nd ⓘ, [2] 3rd ⓘ, [3] 4th ⓘ, 5th ⓘ [4] and 6th ⓘ [4] In music theory, voicing refers to two closely related concepts: How a musician or group distributes, or spaces, notes and chords on one or more instruments; The simultaneous vertical placement of notes in relation to each other; [5] this relates to the concepts of ...
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