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Digital theatre is primarily identified by the coexistence of "live" performers and digital media in the same unbroken(1) space with a co-present audience. In addition to the necessity that its performance must be simultaneously "live" and digital, the event's secondary characteristics are that its content should retain some recognizable theatre roles (through limiting the level of ...
A movie theater (American English) [1] or cinema (Commonwealth English), [2] also known as a movie house, cinema hall, picture house, picture theater, the pictures, or simply theater, is a business that contains auditoriums for viewing films for public entertainment.
In addition to the equipment already found in a film-based movie theatre (e.g., a sound reinforcement system, screen, etc.), a DCI-compliant digital cinema requires a DCI-compliant [32] digital projector and a powerful computer known as a server. Movies are supplied to the theatre as a set of digital files called a Digital Cinema Package (DCP ...
A film, also known as a movie or motion picture, [a] is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally accompanied by sound and (less commonly) other sensory stimulations. [1]
AMC Entertainment Holdings, Inc. (doing business as AMC Theatres, originally an abbreviation for American Multi-Cinema; often referred to simply as AMC and known in some countries as AMC Cinemas or AMC Multi-Cinemas) is an American movie theater chain founded in Kansas City, Missouri, and now headquartered in Leawood, Kansas.
Video art emerged as a medium in this period, and feminists like Martha Rosler and Cecelia Condit took full advantage of it. In the 1980s feminist, gay and other political experimental work continued, with filmmakers like Barbara Hammer , Su Friedrich , Tracey Moffatt , Sadie Benning and Isaac Julien among others finding experimental format ...
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The Art and Science of Digital Compositing (ISBN 0-12-133960-2) McClean, Shilo T. (2007). Digital Storytelling: The Narrative Power of Visual Effects in Film. The MIT Press. ISBN 978-0-262-13465-1. Mark Cotta Vaz; Craig Barron: The Invisible Art: The Legends of Movie Matte Painting. San Francisco, Cal.: Chronicle Books, 2002; ISBN 0-8118-3136-1