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The range of signal frequencies that a piece of audio or video equipment can encode or decode; the difference between the limiting frequencies of a continuous frequency band. Video uses higher frequency than audio, thus requires a wider bandwidth. [2] Bar Test Pattern Special test pattern for adjusting color TV receivers or color encoders.
Also AM radio or AM. Used interchangeably with kilohertz (kHz) and medium wave. A modulation technique used in electronic communication where the amplitude (signal strength) of the wave is varied in proportion to that of the message signal. Developed in the early 1900s, this technique is most commonly used for transmitting an audio signal via a radio wave measured in kilohertz (kHz). See AM ...
The CAMEO Dictionary of Creative Audio Terms contains the definitions for over 1000 terms used in the recording, amplification and electronic production of music. [ 2 ] [ 3 ] It is aimed at a non-technical audience and includes illustrations.
1989: Test broadcasts for NICAM stereo digital audio for broadcast TV began in the UK. 1990: Digital radio begins in Canada, using the L-Band. [51] 1991: Alesis Digital Audio Tape is a tape format used for simultaneously recording eight tracks of digital audio at once, onto Super VHS magnetic tape – a format similar to that used by consumer VCRs.
Some connectors and interfaces carry either audio only or video only, whereas others carry both, audio and video. For digital audio and digital video, this can be thought of as defining the physical layer, data link layer, and most or all of the application layer. For analog audio and analog video these functions are all represented in a single ...
A 14-inch reel of 2-inch quad videotape compared with a modern-day MiniDV videocassette. Both media store one hour of color video. The first commercial professional broadcast quality videotape machines capable of replacing kinescopes were the two-inch quadruplex videotape (Quad) machines introduced by Ampex on April 14, 1956, at the National Association of Broadcasters convention in Chicago.
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Punch in/out is an audio and video term that originated as a recording technique used on early multitrack recordings whereby a portion of the performance was recorded onto a previously recorded tape, usually overwriting any sound that had previously been on the track used. [1]