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The piece is known all over the world. According to an article by Hiromi Oketani in the Osaka Shoin Women's College Annual for 1994, [2] it is known in Japan as "Neko Funjatta" (ねこふんじゃった, I Stepped on the Cat), in Spain as "La Chocolatera", in the Netherlands as "Vlooienmars" (Flea March), in French-speaking countries as "Valse des puces" (Flea Waltz), in Russia as Russian ...
Many billabongs are of cultural significance and social importance to Aboriginal and Torres Strait Islander peoples, and used as sources of fresh water as well as other resources. Water is an intrinsic part of Country , and essential resource during drought or dry seasons , and they have many intricate ways of understanding how to find water.
played like a harp (i.e. the notes of the chords are to be played quickly one after another instead of simultaneously); in music for piano, this is sometimes a solution in playing a wide-ranging chord whose notes cannot be played otherwise; arpeggios are frequently used as an accompaniment; see also broken chord articulato Articulate assai
The bass buttons play a bass note or a bass note and its octave below. The chord buttons play three-note chords, typically major triads, minor triads, dominant seventh chords, and diminished chords. Some accordions have all buttons for both hands. Accordions are used in Zydeco, hot jazz (a type of swing), and many folk and traditional musics.
Tone clusters...on the piano [are] whole scales of tones used as chords, or at least three contiguous tones along a scale being used as a chord. And, at times, if these chords exceed the number of tones that you have fingers on your hand, it may be necessary to play these either with the flat of the hand or sometimes with the full forearm.
Sheila Romeo explains that "[i]n theory, any chord from any mode of the scale of the piece is a potential modal interchange or borrowed chord. Some are used more frequently than others, while some almost never occur." [1] In the minor mode, a common borrowed chord from the parallel major key is the Picardy third.
The added-fourth chord (notated "add4") almost always occurs on the fifth scale degree where the added note is the key's tonic note. Examples in popular music include the second chord in the verse of " Runaway Train " and the introduction of The Who 's " Baba O'Riley ".
On the other hand, in the theme of the Arietta movement that concludes his last piano sonata, Piano Sonata No. 32, Op. 111 (1822), Beethoven presents the chord voicing in a much more daring way, with wide gaps between notes, creating compelling sonorities that enhance the meditative character of the music:
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