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The house has been used in numerous fashion shoots, films, and advertising campaigns. Films include Smog (1962); The First Power (1990); The Marrying Man (1991); Corrina, Corrina (1994); Playing by Heart (1998), where it was used as the home of Jon Stewart ’s character; Why Do Fools Fall In Love (1998); Galaxy Quest (1999), as the home of Tim ...
Similar to spy films, the heist or caper film included worldly settings and hi-tech gadgets, as in the original Ocean's Eleven (1960), Topkapi (1964) or The Thomas Crown Affair (1968). The spaghetti westerns (made in Italy and Spain), were typified by Clint Eastwood films, such as For a Few Dollars More (1965) or The Good, the Bad and the Ugly ...
The New Hollywood, Hollywood Renaissance, American New Wave, or New American Cinema (not to be confused with the New American Cinema of the 1960s that was part of avant-garde underground cinema [6]), was a movement in American film history from the mid-1960s to the early 1980s, when a new generation of filmmakers came to prominence.
Fashion photography in the 1960s represented a new feminine ideal for women and young girls: the Single Girl. 1960s photography was in sharp contrast to the models of the 1920s, who were carefully posed for the camera and portrayed as immobile. The Single Girl represented 'movement'. She was young, single, active, and economically self-sufficient.
1960s architecture (16 C, 23 P) ... 1960s fashion (14 C, 167 P) 1960s festivals (11 C) Fiction set in the 1960s (20 C, 41 P) 1960s in film (30 C, 64 P) H. 1960s in ...
The building's fortunes declined in the 1960s, but by the late 1970s, it became the rallying point for Hollywood preservation. Numerous plans were announced and fundraisers held to transform the building into a film museum, but to no avail, the site was purchased with plans to build a new 13-story building on the property. [citation needed]
The Chemosphere, a house in the Hollywood Hills, California, designed by American architect John Lautner. [2] Hooper House II, by architect Marcel Breuer, in Baltimore, Maryland. William L. Slayton House in the Cleveland Park neighborhood of Washington, D.C., designed by I. M. Pei.
A succession of style trends led by Christian Dior and Cristóbal Balenciaga defined the changing silhouette of women's clothes through the 1950s. Television joined fashion magazines and movies in disseminating clothing styles. [3] [4] The new silhouette had narrow shoulders, a cinched waist, bust emphasis, and longer skirts, often with wider ...