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Kelefa T. Sanneh (born 1976) is a British-born American journalist and music critic. From 2000 to 2008, he wrote for The New York Times, covering the rock and roll, hip-hop, and pop music scenes. [1] Since 2008 he has been a staff writer for The New Yorker. [2] In 2021, Sanneh published Major Labels: A History of Popular Music in Seven Genres.
Rolling Stone is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, California in 1967 by Jann Wenner and the music critic Ralph J. Gleason. The magazine was first known for its coverage of rock music and political reporting by Hunter S. Thompson.
Rosen served as critic-at-large for T: The New York Times Style Magazine, pop music critic for New York, music critic for Slate, before joining the Times magazine. He has also written for such publications as The New Yorker and Rolling Stone.
Bill Adler (born December 18, 1951) is an American music journalist and critic. Since the late 1960s, he has worked in the music business in a variety of capacities, including as a record store clerk, radio disc jockey, critic, publicist, biographer, record label executive, documentary filmmaker, museum consultant, art gallerist, curator, and archivist.
Allan Kozinn (born July 28, 1954) [1] is an American journalist, music critic, and teacher. Kozinn received bachelor's degrees in music and journalism from Syracuse University in 1976. [2] He began freelancing as a critic and music feature writer for The New York Times in 1977, and joined the paper's staff in 1991. [3]
The presence of music criticism continued to grow, and by the 20th century numerous major newspapers had joined The Morning Post and Times in establishing permanent music critic posts, including The Daily Telegraph, The Guardian, The Observer and The Sunday Times in Britain, and the Chicago Tribune, New York Herald Tribune and The New York ...
Alex Ross (born January 12, 1968) is an American music critic and author who specializes in classical music. Ross has been a staff member of The New Yorker magazine since 1996. His extensive writings include performance and record reviews, industry updates, cultural commentary, and historical narratives in the realm of classical music. [ 1 ]
In 2011 Woolfe started working as a freelance music critic for The New York Times, reporting on opera festivals in the US and internationally. In 2015 he became classical music editor, before being appointed as chief classical music critic in 2022.
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