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A saucepan is one of the basic forms of cookware, in the form of a round cooking vessel, typically 3.5 to 4 inches (90 to 100 mm) deep, and wide enough to hold at least 1 US quart (33 imp fl oz; 950 ml) of water, with sizes typically ranging up to 4 US quarts (130 imp fl oz; 3.8 L), [1] and having a long handle protruding from the vessel.
Listed to compete at the 1968 Cannes Film Festival: A beszélő köntös: Tamás Fejér: István Iglódi, Antal Páger: Agitátorok : Dezső Magyar: Gábor Bódy, Tamás Szentjóby, György Cserhalmi: Banned after release Fényes szelek: Miklós Jancsó: Hosszú futásodra mindig számíthatunk: Gyula Gazdag: Isten hozta, őrnagy úr: Zoltán ...
"Coming Out" is the story of Erik (Sándor Csányi), a radio personality, gay activist, and Hungary's most famous openly gay male celebrity.As Erik is preparing to marry his partner Balázs (Gábor Karalyos), he is shocked to discover he has a growing sexual attraction to women.
The Notebook (Hungarian: A nagy füzet) is a 2013 Hungarian drama film co-written and directed by János Szász. [2] It is based on the first novel, of the same name, of the 1986 prize winning The Notebook Trilogy by Ágota Kristóf .
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The film's non-linear and fragmented structure allows the linking of images, sometimes almost subliminally, to evoke Szindbád's memories or his subconscious, and the description "Proustian" has repeatedly appeared in critical assessments (perhaps echoing a frequent characterization of the writings of the author of the original stories, Gyula ...
On Body and Soul (Hungarian: Testről és lélekről) is a 2017 Hungarian drama film written and directed by Ildikó Enyedi. [2] The story revolves around the CFO of a slaughterhouse and the newly appointed meat quality inspector who discover they can communicate with each other through their dreams, leading to an unlikely romance.
The Saucepan Journey (Swedish: Kastrullresan) is a 1950 Swedish comedy family film directed by Arne Mattsson and starring Eva Dahlbeck, Sigge Fürst and Edvin Adolphson. The film is based on a novel by Edith Unnerstad, while Börje Larsson wrote the screenplay. [1] The film's sets were designed by the art director Jan Boleslaw.