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The Death of Hyacinthos, sometimes referred to as The Death of Hyacinth, is an oil painting completed by Jean Broc in 1801. This is Broc's most famous work and is considered to be drawn from the Metamorphoses by Ovid. It is a depiction of the dead Hyacinthos cradled by his lover, the Greek god Apollo.
Apollo, the god of the sun, art, music and poetry, is playing music along with his favorites in nature's lap. Ivanov said he wanted to portray “nudity instead of a life class”, in other words, to combine classical beauty with a lively romantic feeling.
Apollo, the god of the sun, art, music and poetry, is playing music along with his favorites in nature's lap. Ivanov said he wanted to portray “nudity instead of a life class”, in other words, to combine classical beauty with a lively romantic feeling.
The painting depicts Apollo's mourning for his dead lover. Some myths link a jealous Zephyr to the incident, blaming his jealousy of Hyacinthus for a gust of wind resulting in the youth's death. Broc studied under Jacques-Louis David and is well known for the cultivation of the intellectual group known as Les Primitifs (a.k.a., Barbus or "The ...
He taught Hyacinthus the use of the bow and the lyre, the art of prophecy, and exercises in the gymnasium. [14] One day, Apollo was teaching him the game of discus [15] or quoits. [16] They decided to have a friendly competition by taking turns to throw the discus. Apollo threw first, with a strength so great that the discus split the clouds in ...
Paintings of Christ and the woman taken in adultery (11 P) Pages in category "Paintings of Jesus" The following 200 pages are in this category, out of approximately 233 total.
A History of Ideas and Images in Italian Art, 1983, John Murray, London, ISBN 0-7195-3971-4; Hellemo, Geir. Adventus Domini: eschatological thought in 4th-century apses and catecheses. Brill; 1989. ISBN 978-90-04-08836-8. Schiller, Gertrud. Iconography of Christian Art, Vol. I, 1971 (English trans from German), Lund Humphries, London, ISBN 0 ...
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...