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Nyan Cat. Nyan Cat is a YouTube video uploaded in April 2011, which became an Internet meme. The video merged a Japanese pop song with an animated cartoon cat with a Pop-Tart for a torso flying through space and leaving a rainbow trail behind. The video ranked at number five on the list of most viewed YouTube videos in 2011. [1]
Single color line drawing algorithms involve drawing lines in a single foreground color onto a background. They are well-suited for usage with monochromatic displays. The starting point and end point of the desired line are usually given in integer coordinates, so that they lie directly on the points considered by the algorithm.
Pixel art [note 1] is a form of digital art drawn with graphical software where images are built using pixels as the only building block. [2] It is widely associated with the low-resolution graphics from 8-bit and 16-bit era computers, arcade machines and video game consoles, in addition to other limited systems such as LED displays and graphing calculators, which have a limited number of ...
"Keyboard Cat" was ranked No. 2 on Current TV's list of 50 Greatest Viral Videos. [5] The first such "Keyboard Cat" video, entitled "Play Him Off, Keyboard Cat", was created by Brad O'Farrell, the syndication manager of the video website My Damn Channel. O'Farrell both secured Schmidt's permission to use footage and asked Schmidt to allow ...
Pixel art scaling algorithms are graphical filters that attempt to enhance the appearance of hand-drawn 2D pixel art graphics. These algorithms are a form of automatic image enhancement. Pixel art scaling algorithms employ methods significantly different than the common methods of image rescaling , which have the goal of preserving the ...
Nyan Koi! (にゃんこい！, lit. ' Meow Love! ') is a Japanese manga series written and illustrated by Sato Fujiwara. It started serialization on Flex Comix's web manga FlexComix Blood on August 10, 2007.
The grid format also features prominently in minimalist and conceptual art of the 60's and 70's. The art theorist Rosalind Krauss writes, "In the temporal dimension, the grid is an emblem of modernity by being just that: the form that is ubiquitous in the art of our century, while appearing nowhere, nowhere at all, in the art of the last one.