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The Modern Style is a style of architecture, art, and design that first emerged in the United Kingdom in the mid-1880s. It was the first Art Nouveau style worldwide, and it represents the evolution of the Arts and Crafts movement which was native to Great Britain .
Модерн ('Modern') was a very colourful Russian variation of Art Nouveau which appeared in Moscow and Saint Petersburg in 1898 with the publication of a new art journal, Мир искусства (Mir Iskusstva, 'The World of Art'), by Russian artists Alexandre Benois and Léon Bakst, and chief editor Sergei Diaghilev.
Art Nouveau and variants – Jugendstil, Secession, Modern Style, Modernisme – Aubrey Beardsley, Alphonse Mucha, Gustav Klimt, Art Nouveau architecture and design – Antoni Gaudí, Otto Wagner, Wiener Werkstätte, Josef Hoffmann, Adolf Loos, Koloman Moser; Early Modernist sculptors – Aristide Maillol, Auguste Rodin
Our guide to Art Nouveau architecture explores the late 19th-century movement known for flowing lines and organic forms and how it influenced the culture.
Art Nouveau temples are churches, chapels, synagogues, and mosques built in the style known as Art Nouveau in French and English languages (also Modern Style or Glasgow style in the latter one), Jugendstil in Germany and Nordic countries, Secessionsstil in countries of former Austro-Hungary, Modernisme in Catalan, Modern in Russian, Stile Liberty or Stile Floreale in Italian.
Modern architecture, also called modernist architecture, was an architectural movement and style that was prominent in the 20th century, between the earlier Art Deco and later postmodern movements.
Reactions to Art Nouveau impelled partly by moral yearnings for a sterner and more unadorned style and in part by rationalist ideas requiring practical justification for formal effects. Art Nouveau had however, opened up a language of abstraction and pointed to lessons to be learned from nature. [40] August 25, 1900, death of Friedrich ...
The residential architecture of Art Nouveau or Modern Style, as it was also known, was a reaction against the electric and historical styles that dominated Paris in the Belle Époque. A majority of the buildings in the new style were constructed in the wealthy 16th arrondissement.
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