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Krishna dancing over the subdued Kāliya and his wives Naginis asking Krishna for his mercy. From a Bhagavata Purana manuscript, c. 1640. Ganesha, the son of Shiva, is depicted as Ashtabhuja tandavsa nritya murtis (Eight armed form of Ganesha dancing the Tandava) in temple sculptures.
Huge crowds of devotees gathered across India this month to celebrate the Hindu festival Ganesh Chaturthi, marking the birth of the deity Ganesha, the elephant-headed, round-bellied god of ...
The universe and the elements are said to be created by Ganesha. Ganesha is described as the remover of obstacles. He is worshipped by the sage Agastya and the God Vishnu. He resides in the Muladhara chakra and exists in four kinds of speech – Para, Pashyanti, Madhyama and Vaikhari. The sacred Om is said to be his body. Ganesha's iconography ...
Historical references to dance are found in the Tamil epics Silappatikaram (c. 2nd century CE [32]) and Manimegalai (c. 6th century). [ 10 ] [ 11 ] The ancient text Silappatikaram , includes a story of a dancing girl named Madhavi; it describes the dance training regimen called Arangatrau Kathai of Madhavi in verses 113 through 159. [ 32 ]
13th-century Ganesha bronze. Late Chola, Tamil Nadu. Vinayagar Agaval is a devotional poetic hymn to the Hindu deity Ganesha. It was written in the 10th century during the Chola dynasty by the Tamil poet Avvaiyar, shortly before her death. [1] It is considered to be her greatest poem. [2] The 72-line 'Agaval' is a form of blank verse, close to ...
Ghurye notes that the text identifies Ganesa with the Brahman and is of a very late origin, [7] while Courtright and Thapan date it to the 16th or 17th century. [8] [9]While the Ganapati Atharvaśīrṣa is a late text, the earliest mention of the word Ganapati is found in hymn 2.23.1 of the 2nd-millennium BCE Rigveda. [10]
Arangetram is a portmanteau of the Tamil words for stage ("arangu") and ascent ("etram") and its literal translation is "climbing or ascending the stage". In the context of dance, the word refers to the graduation ceremony in which the guru presents his or her pupil to the public. [1] Its origins can be traced to the devdasi (temple dancer ...
It also features Thilakan, Nedumudi Venu, Innocent, Vinaya Prasad, K. P. A. C. Lalitha, Sridhar, K.B. Ganesh Kumar, Sudheesh. [5] The story is inspired by a tragedy that happened in the Alummoottil tharavad (an old traditional mansion), located at Muttom (near Haripad ), belonging to a central Travancore Thiyya family, in the 19th century. [ 6 ]