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The Byzantine chant was added by UNESCO in 2019 to its list of Intangible Cultural Heritage "as a living art that has existed for almost 2,000 years, the Byzantine chant is a significant cultural tradition and comprehensive music system forming part of the common musical traditions that developed in the Byzantine Empire."
Oktōēchos (here transcribed "Octoechos"; Greek: ὁ Ὀκτώηχος Greek pronunciation: [okˈtóixos]; [1] from ὀκτώ "eight" and ἦχος "sound, mode" called echos; Slavonic: Осмогласие, Osmoglasie from о́смь "eight" and гласъ, Glagolitic: ⰳⰾⰰⱄⱏ, "voice, sound") is the eight-mode system used for the composition of religious chant in Byzantine, Syriac ...
Whereas in Gregorian chant a mode referred to the classification of chant according to the local tonaries and the obligatory psalmody, the Byzantine echoi were rather defined by an oral tradition how to do the thesis of the melos, which included melodic patterns like the base degree , open or closed melodic endings or cadences (cadential ...
Students of Orthodox chant today often study the history of Byzantine chant in three periods, identified by the names John of Damascus (675/676-749) as the "beginning", John Koukouzeles (c. 1280–1360) as the "flower" (Papadic Octoechos), and Chrysanthos of Madytos (c. 1770-c. 1840) as the master of the living tradition today (Neobyzantine Octoechos).
Phos Hilaron (Koinē Greek: Φῶς Ἱλαρόν, romanized: Fōs Ilaron) is an ancient Christian hymn originally written in Koine Greek.Often referred to in the Western Church by its Latin title Lumen Hilare, it has been translated into English as O Gladsome Light.
A sticheron (Greek: στιχηρόν "set in verses"; plural: stichera; Greek: στιχηρά) is a hymn of a particular genre sung during the daily evening (Hesperinos/Vespers) and morning offices, and some other services, of the Eastern Orthodox and Byzantine Catholic churches.
A kontakion (Greek κοντάκιον, kondákion, plural κοντάκια, kondákia) is a form of hymn in the Byzantine liturgical tradition.. The kontakion form originated in the Byzantine Empire around the 6th century and is closely associated with Saint Romanos the Melodist (d. 556).
In preparation of the first printed books of Orthodox chant, he was responsible for a reform of the Byzantine notation within the New Music School of the Patriarchate, along with Gregorios the Protopsaltes and Chourmouzios the Archivist who transcribed the traditional repertory into the Chrysanthine notation.
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