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The Resurrection of Christ (1499–1502), also called The Kinnaird Resurrection (after a former owner of the painting, Lord Kinnaird), is an oil painting on wood by the Italian High Renaissance master Raphael. The work is one of the earliest known paintings by the artist, executed between 1499 and 1502.
Virgin and Child with Six Angels and the Baptist: c. 1485: Tempera on panel: diameter 170 cm: Rome, Galleria Borghese: The Virgin and Child: c. 1485: Oil on panel: 83.2 × 55.5 cm: New Heaven, Yale University Art Gallery: Madonna Adoring the Child with Five Angels: 1485–1490: Tempera on panel: diameter 132.7 cm: Baltimore Museum of Art ...
A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall ( fresco ) or on vellum (used for miniatures in illuminated manuscripts ).
Angels in Islamic art often appear in illustrated manuscripts of Muhammad's life. Other common depictions of angels in Islamic art include angels with Adam and Eve in the Garden of Eden, angels discerning the saved from the damned on the Day of Judgement, and angels as a repeating motif in borders or textiles. [21]
Giotto did away with many aspects of Byzantine art that would flatten the painting. Within Cimabue's Santa Trinita Maestà , there is the use of gold tracing to delineate the folds of the fabric. In contrast to this, Giotto's fabric folds are more realistic, and instead of lines he used light, shadow, and color to create the appearance of fabric.
The angel who rescues Shadrach, Meshach, and Abednego from the "fiery furnace" in the Book of Daniel Chapter 3 is usually regarded in Christian tradition as Michael; this is sometimes represented in Early Christian art and Eastern Orthodox icons, but rarely in later art of the Western church.
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The same linen alb is worn by every angel in the painting. The angel who is kneeling at the bottom left of the frame, wears a linen alb and a stole. The angel behind him, wears only the alb. The liturgical vestments of the angels together with the sheaf of wheat—also found in the central panel, create a symbol for the Eucharist. [1]
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