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An older, but similar work by O'Keeffe, Jimson Weed/White Flower No. 1 (1932), focusing on only a single flower, was sold by the Georgia O'Keeffe Museum at auction to Walmart heiress Alice Walton in 2014 for $44,405,000, more than tripling the previous world record auction for a piece by a female artist. [5]
Biomorphism is also seen in modern industrial design, such as the work of Alvar Aalto, [18] and Isamu Noguchi, whose Noguchi table is considered an icon of industrial design. [19] Presently, the effect of the influence of nature is less obvious: instead of designed objects looking exactly like the natural form, they use only slight ...
File: Sculpted reliefs depicting Ashurbanipal, the last great Assyrian king, hunting lions, gypsum hall relief from the North Palace of Nineveh (Irak), c. 645-635 BC, British Museum (16722368932) (cropped).jpg
Urban Garden is a sculpture by Ginny Ruffner, installed in Seattle, Washington, United States. [1] [2] It depicts a pot, flowers, and watering can. [3] The 27-foot-tall kinetic sculpture was commissioned by the Sheraton Seattle Hotel and weighs approximately 10,000 pounds. [4] [5] The pot is 9 feet tall and 7 feet wide. [6]
Strand was particularly influential in her development of cropped, close-up images. She received unprecedented acceptance as a female artist from the fine art world due to her powerful graphic images. [6] Depictions of small flowers that fill the canvas suggest the immensity of nature and encourage viewers to looks at flowers differently. [2]
The formalised flower motif is often carved in stone or wood to create decorative ornaments for architecture and furniture, and in metalworking, jewelry design and the applied arts to form a decorative border or at the intersection of two materials. Rosette decorations have been used for formal military awards.
A new art form struggling for acceptance is digital art, a by-product of computer programming that raises new questions about what truly constitutes art.Although paralleling many of the aesthetics in traditional media, digital art can additionally draw upon the aesthetic qualities of cross-media tactile relationships; interactivity; autonomous generativity; complexity and interdependence of ...
A CT scan confirmed Wildung's findings; Thutmose had added gypsum under the cheeks and eyes in an attempt to perfect his sculpture. [31] The CT scan in 2006, led by Alexander Huppertz, director of the Imaging Science Institute in Berlin, revealed a wrinkled face of Nefertiti carved in the inner core of the bust. [34]