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Broken Vessels is the soundtrack album by American composer Bill Laswell, released on September 21, 1999, by Koch Records. It comprises Laswell's original score for the medical drama Broken Vessels, a film directed by Scott Ziehl released to theaters on April 18, 1998. Critic Steven McDonald called it "an engaging and propulsive recording."
Rating the album four stars from CCM Magazine, Matt Conner describes, "Unashamed follows suit with a radio-ready 10-song set of encouraging songs for the church." [2] Bert Gangl, giving the album three stars for Jesus Freak Hideout, writes, "Neither out and out unpleasant nor completely without merit, the new Building 429 record is nevertheless yet one more installment in an ever-growing ...
"A vivid, embracing tale of life on the edge, Broken Vessels is an assured first feature with potent commercial appeal. Focused on a pair of paramedics behind the wheel of an ambulance, the film skillfully careens through the incidental and dark humor of their lives and plows forward into the bleak personal terrain that comes with the job.
Piano Concerto, op. 18, with baritone and male choir in last movement (1938) Ferruccio Busoni. Piano Concerto in D, op. 17, for piano and string orchestra (1878) Piano Concerto in C, op. 39 (1902-4), with male chorus; Indian Fantasy, op.44, for piano and orchestra; Konzert-Fantasie, op.32 (1888–89), for piano and orchestra
The prelude did not appear in the first edition published by John Walsh [2] and was taken from Handel's keyboard suite HWV 428. HWV 561 is another version of the prelude. [citation needed] 2 Allemande: 108 ii, 81 iv/5, 29 3 Courante: 109 ii, 82 iv/5, 30 4 Sarabande: 110 ii, 82 iv/5, 31
Unashamed was a Christian hardcore punk band that became one of the founding bands in the Spirit-Filled HardCore movement. Their bold faith-based lyrics center around ideas directly lifted from the Bible and conservative morality. They released two albums on Tooth & Nail Records. After signing with Tooth & Nail, the band toured until their ...
Despite the fact that the organ is also a keyboard instrument, and that in Bach's time the distinction wasn't always made whether a keyboard composition was for organ or another keyboard instrument, Wolfgang Schmieder ranged organ compositions in a separate section of the Bach-Werke-Verzeichnis (Nos. 525-771).
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