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Ashob is regarded by scholars as an important historical genre in Persian, Urdu and Turkish literature used by the writers to express their anguish and sorrows over political and social shifts. [4] [5] The Ashobs generally describe emotional and thoughts of a writer in a narrative poetic format based on several features. [6]
The word Marsiya is derived from the Arabic word marthiyya (Arabic: مارْثِيَّه ; root R-TH-Y), meaning a great tragedy or lamentation for a departed soul. [2] Marsiya is a poem written to commemorate the martyrdom of Ahl al-Bayt, Imam Hussain and Battle of Karbala. It is usually a poem of mourning. [3]
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language. While it tends to be dominated by poetry , especially the verse forms of the ghazal ( غزل ) and nazm ( نظم ), it has expanded into other styles of writing, including that of the short story, or afsana ...
The Urdu Dictionary Board (Urdu: اردو لغت بورڈ, romanized: Urdu Lughat Board) is an academic and literary institution of Pakistan, administered by National History and Literary Heritage Division of the Ministry of Information & Broadcasting. Its objective is to edit and publish a comprehensive dictionary of the Urdu language.
Pakistani literature (Urdu: ادبیاتِ پاکستان) is a distinct literature that gradually came to be defined after Pakistan gained nationhood status in 1947, emerging out of literary traditions of the South Asia. [1] The shared tradition of Urdu literature and English literature of British India was inherited by
Rekhta is an Indian web portal started by Rekhta Foundation, a non-profit organisation dedicated to the preservation and promotion of the Urdu literature. [4] The Rekhta Library Project, its books preservation initiative, has successfully digitized approximately 200,000 books over a span of ten years. [5]
Publicity is a factor in making the public view an event as a tragedy. With publicity of a large number of deaths or even a single death, this plays on the emotions of the general public, and thereby impacts perception. [6] The range of coverage affects the number of people in whose eyes the event is viewed as tragic.
From 1950 to 1954, he served as co-editor of an Urdu monthly by the name of Saqi and wrote a monthly column Baatein. He also started a quarterly magazine by the name of Naya Daur. [5] He performed extensive research on the history of Urdu literature and penned five chronicle volumes with the title Tareekh-e-Adab-e-Urdu, covering 15-20 centuries ...