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Mikhail Mikhailovich Bakhtin (/ b ʌ x ˈ t iː n / bukh-TEEN; Russian: Михаи́л Миха́йлович Бахти́н, IPA: [mʲɪxɐˈil mʲɪˈxajləvʲɪdʑ bɐxˈtʲin]; 16 November [O.S. 4 November] 1895 – 7 March [2] 1975) was a Russian philosopher and literary critic who worked on the philosophy of language, ethics, and literary ...
In this essay, Bakhtin attempts to outline a theory of the novel and its unique properties by comparing it to other literary forms, in particular the epic.Bakhtin sees the novel as capable of achieving much of what other forms cannot, including an ability to engage with contemporary reality, and an ability to re-conceptualize the individual in a complex way that interrogates his subjectivity ...
Bakhtin begins by identifying polyphony as the chief characteristic of Dostoevsky's work: "A plurality of independent and unmerged voices and consciousnesses, a genuine polyphony of fully valid voices..." [10] The discussion of polyphony and its incommensurability with the usual monological approach to writing and criticism is followed by an overview of the currently available scholarly ...
The Dialogic Imagination (full title: The Dialogic Imagination: Four Essays by M. M. Bakhtin) is a book on the nature and development of novelistic prose, comprising four essays by the twentieth century Russian philosopher and literary theorist Mikhail Bakhtin.
Mikhail Bakhtin, author of Rabelais and His World, pictured in 1920. Rabelais and His World (Russian: Творчество Франсуа Рабле и народная культура средневековья и Ренессанса, Tvorčestvo Fransua Rable i narodnaja kul'tura srednevekov'ja i Renessansa; 1965) is a scholarly work by the 20th century Russian philosopher and literary ...
It originated as "carnival" in Mikhail Bakhtin's Problems of Dostoevsky's Poetics and was further developed in Rabelais and His World. For Bakhtin, "carnival" (the totality of popular festivities, rituals and other carnival forms) is deeply rooted in the human psyche on both the collective and individual levels.
Created Date: 8/30/2012 4:52:52 PM
In his early writings Bakhtin used the concepts of outsideness and the surplus to elucidate the necessary conditions for dialogical interaction. In one's view of the other there is a surplus of spatio-temporal objectivity necessitated by the very fact of its externality: "In order to understand it is immensely important for the person who understands to be located outside the object of his or ...
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