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Let Me Go, Devil" is a song written in 1953 by Jenny Lou Carson. Carson greatly admired the talents of Hank Williams. Williams' battle with alcoholism and subsequent death inspired her to write the song. It was first recorded on July 2, 1953, by Wade Ray, followed a few weeks later by Georgie Shaw, Johnny Bond and Tex Ritter.
Shaw recorded a song called "Let Me Go, Devil", written in 1953, which was about alcoholism. It was later rewritten as "Let Me Go, Lover!". Another song that he originally recorded, which later became a hit when recorded by another singer, was "Honeycomb". [3] [4] He released four Top 40 singles in the U.S. in the 1950s, all on Decca Records.
Download as PDF; Printable version; In other projects ... Let Me Be the One (Hank Locklin song) Let Me Go, Devil; Let's Have a Party (rag) Let's Walk That-a-Way; Live ...
"Let Me Go, Devil", a song written by Jenny Lou Carson and recorded by Georgie Shaw; Let Me Go, Let Me Go, Let Me Go, an album by Jason Molina "Let Me Go, Lover!", a popular song adapted from "Let Me Go, Devil" and first recorded by Joan Weber, recorded by many artists
It should only contain pages that are Georgie Shaw songs or lists of Georgie Shaw songs, as well as subcategories containing those things (themselves set categories). Topics about Georgie Shaw songs in general should be placed in relevant topic categories .
An Amigo the Devil concert is often a boisterous communal singalong, with Kiranos prowling the stage — a banjo or guitar in his hands — and belting out lyrically dense folk songs that can be ...
Miller took "Let Me Go, Devil" and had it rewritten by Jenny Lou Carson and Al Hill as "Let Me Go, Lover!" for Weber, who recorded it on the Columbia label (with "Marionette" as the B-side). The song was performed on the television show, Studio One and caught the public's fancy, reaching #1 in the United States and #16 in the United Kingdom in ...
Sam Lansky of Idolator called the middle of the album (including "Give You What You Like") "less-effective", but praised "Let Me Go" and "Give You What You Like", writing that while "Let Me Go" was the superior track, "Give You What You Like" is "a fantastically eerie paean to a miserable one-night stand." [8]