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The Golden Age of Sculpture in Sri Lanka – Masterpieces of Buddhist and Hindu Bronzes from Museums in Sri Lanka, [catalogue of the exhibition held at the Arthur M. Sackler Gallery, Washington, D. C., 1 November 1992 – 26 September 1993].
The pink sandstone Hindu, Jain and Buddhist sculptures of Mathura from the 1st to 3rd centuries CE reflected both native Indian traditions and the Western influences received through the Greco-Buddhist art of Gandhara, and effectively established the basis for subsequent Indian religious sculpture. [4]
Buddhist art is visual art produced in the context of Buddhism.It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. [1]
Under the Guptas, Mathura remained primarily a center of Buddhist artistic activity and worship, but a few Hindu sculptures started to appear. [207] The first known creation of the Guptas relating to Hindu art at Mathura is an inscribed pillar recording the installation of two Shiva Lingas in 380 CE under Chandragupta II, Samudragupta's ...
In general Jain art broadly follows the contemporary style of Indian Buddhist and Hindu art, though the iconography, and the functional layout of temple buildings, reflects specific Jain needs. The artists and craftsmen producing most Jain art were probably not themselves Jain, but from local workshops patronized by all religions.
Like all the locations of Buddhist caves, this one is located near main trade routes and spans six centuries beginning in the 2nd or 1st century B.C. [47] A period of intense building activity at this site occurred under the Vakataka king Harisena between 460 and 478 A profuse variety of decorative sculpture, intricately carved columns and ...
Prajñāpāramitā of Java refers to a famous depiction of Bodhisattva Prajñāpāramitā Devi, originating from 13th century Singhasari, East Java, Indonesia. [1] The statue is of great aesthetic and historical value, and is considered to be a masterpiece of classical Hindu-Buddhist art of ancient Java. [2]
Some metal statues and decorative items have also survived. Much of the remaining art expresses religious themes, and though some pieces would have been purely decorative, others would have served important functions in the religious life of the Chams, which synthesized elements of Hinduism (especially Saivism), Buddhism and indigenous cults.
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