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Mikrokosmos, Volume V, No.136 "Whole-Tone Scales" Alban Berg. Violin Concerto [7] "Nacht" from Seven Early Songs [8] Hector Berlioz. Francs-Juges Overture [9] Ferruccio Busoni. An die Jugend for piano, the right hand part of the "Preludietto, Fughetta ed Esercizio" is based on the whole tone scale. [10] Frédéric Chopin
Breve / Double whole note: Semibreve / Whole note: Minim / Half note: Crotchet / Quarter note [4] [5] Quaver / Eighth note For notes of this length and shorter, the note has the same number of flags (or hooks) as the rest has branches. Semiquaver / Sixteenth note: Demisemiquaver / Thirty-second note: Hemidemisemiquaver / Sixty-fourth note
Sonata casi fantasia for violin, violoncello and guitar in quarter-, eighth- and sixteenth-tones (1925) [19] String Quartet in quarter-tones (c.1924) {There are also 7 others with some using smaller intervals.} [19] Suite for solo guitar in quarter-tones (1960) [19] 3 estudios en forma de sonatina for solo violin in quarter-tones (1927) [19]
4 (three beats per bar, with each beat being a quarter note); 2 4 (two beats per bar, with each beat being a quarter note); 6 8 (six beats per bar, with each beat being an eighth note) and 12 8 (twelve beats per bar, with each beat being an eighth note; in practice, the eighth notes are typically put into four groups of three eighth notes. 12
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — 17 equal temperament ...
The first rhythmic values taught are quarter notes (crotchets) and eighth notes (quavers), which are familiar to children as the rhythms of their own walking and running. [7]: 10 Rhythms are first experienced by listening, speaking in rhythm syllables, singing, and performing various kinds of rhythmic movement. Only after students internalize ...
Quarter tone on C. A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (orally, or logarithmically) as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches.
Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
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