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Reinhardt was born on 23 January 1910 in Liberchies, Pont-à-Celles, Belgium, [12] into a French family [8] of Manouche Romani descent. [12] His French, Alsatian father, Jean Eugene Weiss, domiciled in Paris with his wife, went by Jean-Baptiste Reinhardt, his wife's surname, to avoid French military conscription. [13]
He brought his art to concert halls and major theaters, making it available to all classes. Modern players such as Paco de Lucía , Paco Pena , Tomatito , Serranito, René Heredia, Juan Manuel Cañizares, El Viejín , Vicente Amigo , Gerardo Núñez , Javier Conde and many more acknowledge the great influence of Sabicas's music.
Lyrics to Romani songs are often sung in one or more dialects of the Romani language, and dance frequently accompanies Romani music performance. [9] The quintessentially Spanish flamenco is to a very large extent the music (and dance, or indeed the culture) of the Romani people of Andalusia. [10] Romani people sometimes also perform Hip hop. [11]
Tchavolo Schmitt (left) with Steeve Laffont, playing their brand of gypsy jazz at la Chope des Puces, Paris, in 2016. Gypsy jazz (also known as sinti jazz, gypsy swing, jazz manouche or hot club-style jazz) is a musical idiom inspired by the Romani jazz guitarist Jean "Django" Reinhardt (1910–1953), in conjunction with the French jazz violinist Stéphane Grappelli (1908–1997), as expressed ...
Kal – Romani world music band from Serbia; Kibariye – Turkish singer of Romani descent; Kostas Hatzis – Greek singer-songwriter and musician; Lolita Flores (1958) – Spanish singer and actress; Los Niños de Sara – French (Spanish origin, Iberian Kale) rumba and flamenco singers and guitar players; Manitas de Plata (born 1921 ...
One of them, Gheorghe Zamfir, is famous throughout the world today and helped popularize a traditional Romanian folk instrument, the panpipes. The religious musical creation, born under the influence of Byzantine music adjusted to the intonations of the local folk music, saw a period of glory between the 15th and 17th centuries, when reputed ...
The lăutari were both slave Roma and serfdom Romanians, but the Roma were the majority. [2] Through time there have also been Jewish and Turkish lăutari. [3] Before the 19th century, Romani musicians were often employed to provide entertainment in the courts of the Princes and Boyars. In the 19th century, most of these musicians settled in ...
Nicknamed Manitas de Plata ("little hands of silver" in Spanish), he agreed to play in public only ten years after the death of Romani-Belgian jazz guitarist and composer Django Reinhardt, in 1953. [3] Baliardo attained fame in the United States after a photography exhibition in New York, organized by his friend Lucien Clergue.