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In 2019 API celebrated 50 years in the music recording and production business, professing that its range of products remains firmly dedicated to Saul Walker’s original ideas and designs. The company celebrated its golden anniversary with a party at Sony Music Hall in New York City, releasing a limited run of 550A, 312 and 2500 50th ...
A 1980s home studio with a reel-to-reel tape recorder. Although there was some early bedroom production before the 1990s using hardware instruments and recording to tape, the rise of bedroom production is more often closely related to an increase in computing power and decrease in the cost of music technologies which allowed for DAWs to become more accessible towards the end of the 20th century.
Pages in category "Manufacturers of professional audio equipment" The following 70 pages are in this category, out of 70 total. This list may not reflect recent changes .
Today, analog effects are also considered outboard when used in conjunction with console-free computer-based digital recording systems. [3] Famous examples include analog dynamic range compressors, such as the Teletronix LA-2A and the Universal Audio/UREI 1176, early multi-effects units like those made by Eventide, and physical or digital ...
Home recording is the practice of recording sound in a private home instead of a professional recording studio. A studio set up for home recording is called a home studio or project studio . Home recording is widely practiced by voice actors, narrators, singers, musicians, podcast hosts, and documentary makers at all levels of success.
Special equipment was another notable feature of the classic recording studio. The biggest studios were owned and operated by large media companies like RCA, Columbia and EMI, who typically had their own electronics research and development divisions that designed and built custom-made recording equipment and mixing consoles for their studios.
Tascam Portastudio 244, 1982. The first Portastudio, the TEAC 144, was introduced on September 22, 1979 at the AES Convention in New York City. [5] The 144 combined a 4-channel mixer with pan, treble, and bass on each input with a cassette recorder capable of recording four tracks in one direction at 3¾ inches per second (double the normal cassette playback speed) in a self-contained unit ...
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