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Korg Opsix - altered FM-synthesizer with 3-octave keyboard. Operators can do FM, Ring Mod, Filter FM, as well as act as either a filter or wavefolder; Korg ARP 2600FS - semi-modular synthesizer, a reproduction of their ARP 2600 synthesizer from the 70s. Korg RK-100S v2 - update to the new version from 2014 of the popular keytar from the 80s.
KORG has since diversified into digital effects, tuners, recording equipment, electronic hand percussion, and software instruments. [5] [6] In 1992, KORG acquired Vox, then primarily a manufacturer of guitar amplifiers. [7] KORG was the exclusive distributor of Marshall Amplification products in the US for decades. This arrangement ended in 2010.
The Korg DRM-1 Digital Rhythm Module is a multitimbral tone generator, that can be played from CV triggered drum pads (any brand) or via MIDI.It utilizes 12-bit Digital to Analog PCM wave memory synthesis and comes equipped with 23 internal preset timbres, which can be expanded by importing additional timbres from Korg DDD-1/5 ROM cards.
The DDD-1 (Dynamic Digital Drums) is a sampling drum machine released by Korg in 1986. [1] [2] It was Korg's first drum machine equipped with MIDI control and it features 14 velocity-sensitive pads, 12-bit samples, and limited user sampling that allows for the addition of new sounds. It also offers sound expansion through ROM cards, six ...
The Korg 01/W series are workstation synthesizers, the first of which debuted in 1991, and were intended to replace the M1 and T series. The workstation/ROMpler was based on AI² (Advanced Integrated Squared), an improved version of the AI (Advanced Integrated) Synthesis technology found in the M1 (although the advancements of the core synthesis engine were arguably quite minor, except for the ...
Korg PE-2000 underneath an ARP 2600 clone. The PE-2000 (Polyphonic Ensemble S) is a string synthesizer, creating a richer sound than the PE-1000 through the use of three oscillators per note, possibly employing delayed and detuned variations of a single oscillator, and a built-in phaser effect.
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Korg CX-3 (1980) According to journalist Gordon Reid, it "came close to emulating the true depth and passion of a vintage Hammond." [1]Transporting the heavy Hammond organ, bass pedalboard (a B-3 organ, bench and pedalboard weighs 425 pounds/193 kg) and Leslie speaker cabinets to performance venues makes it cumbersome for artists to tour with a vintage electromechanical organ.