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Men may also wear a popular variant, where all parts (morning coat or waistcoat, and trousers) are the same colour and material, often grey, and usually called "morning suit" or "morning grey" to distinguish it; [2] considered properly appropriate only to festive functions, [3] such as summer weddings and horse races, [4] [5] which consequently ...
Johann Christian Fischer, composer, in matching coat, waistcoat, and breeches, by Thomas Gainsborough, ca. 1780. The suit is a traditional form of men's formal clothes in the Western world. For some four hundred years, suits of matching coat, trousers, and waistcoat have been in and out of fashion.
These include the reverse collar and lapels, where the outer edge of the lapel is often cut from a separate piece of cloth from the main body and also a high degree of waist suppression around the waistcoat, where the coat's diameter round the waist is less than round the chest. This is achieved by a high horizontal waist seam with side bodies ...
The ends of his large necktie are loosely looped and secured with a stickpin, and then tucked into his waistcoat. 1855–65. John Tyler wears a cravat tied in a floppy bow. His coat has wide lapels and contrasting waistcoat have wide lapels, 1860–62. Wilhelm Taubert wears a dark necktie tied in a bow and slightly winged collar. German, 1862.
Immediately after the war, men's suits were broad-shouldered and often double-breasted. As wartime restrictions on fabric eased, trousers became fuller, and were usually styled with cuffs (turn-ups). In America, Esquire introduced the "Bold Look", with wide shoulders, broad lapels, and an emphasis on bold, coordinated accessories.
A waistcoat (UK and Commonwealth, / ˈ w eɪ s (t) k oʊ t / or / ˈ w ɛ s k ə t /; colloquially called a weskit [1]) or vest (US and Canada) is a sleeveless upper-body garment. It is usually worn over a dress shirt and necktie and below a coat as a part of most men's formal wear. It is also sported as the third piece in the traditional three ...
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