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A Birch Grove is a landscape by the Russian artist Arkhip Kuindzhi (1842–1910), completed in 1879. It is kept in the State Tretyakov Gallery (inventory 882). The size of the painting is 97×181 cm. [1] [2] The canvas depicts birch trees growing in a sunny forest clearing. [3]
During the 18th century, new techniques were perfected for the restoration and conservation of ancient works of art, including methods of detaching fresco paintings from walls. Detachment involves separating the layer of paint from its natural backing, generally stone or brick, and can be categorized according to the removal technique used.
His 'new' painting follows realistic objectives, even initially according to the demanding principles of old master techniques. Bubán's painting once again becomes painterly research and experimentation. The return to conventions of realistic painting is the turn of an artist well-versed in art history and contemporary interpretive theories.
A birch rod (often shortened to "birch") is a bundle of leafless twigs bound together to form an implement for administering corporal punishment. Contrary to what the name suggests, a birch rod is not a single rod and is not necessarily made from birch twigs, but can also be made from various other strong and smooth branches of trees or shrubs ...
High Humidity reduces mechanical damage such as brittle paint but raises the risks of biological organisms, e.g. white efflorescence and green-to-black stains on a panel painting. [12] High Humidity also raises the risks of curving or warping of the wood over time, forcing the paint to flake off.
Haymaking (Russian: Сенокос) is a painting by Russian Soviet artist Arkady Plastov. The painting embodied the artist's hope for a better future, for the arrival of a peaceful life. An everyday episode depicted in the painting Haymaking acquires a sublime meaning thanks to the monumentality of the canvas. At the same time, the canvas is ...
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