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Blackberry. Vienna Dioscurides, early sixth century Tuft of Cowslips (1526) by Albrecht Dürer, gouache on vellum, collection of the National Gallery of Art Electrotype - 'nature printing' by Alois Auer (1853) East Indian Lotus (Nelumbo nucifera), Gouache on oriental paper, late 19th century, National Gallery of Art, Washington, D.C.
The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
Spring Fresco, Minoan painting from Akrotiri, 1600–1500 BCE Zhan Ziqian, Strolling About in Spring, a very early Chinese landscape, c. 600. The earliest forms of art around the world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included.
Kunstformen der Natur was influential in early 20th-century art, architecture, and design, bridging the gap between science and art. In particular, many artists associated with Art Nouveau were influenced by Haeckel's images, including René Binet , Karl Blossfeldt , Hans Christiansen , and Émile Gallé .
Philosophical interest in nature, or in mystical connotations of naturalism, could also have contributed to the rise of landscape painting. The art of shan shui, like many other styles of Chinese painting has a strong reference to Taoism/Daoism imagery and motifs, [5] as symbolisms of Taoism strongly influenced "Chinese landscape painting". [5]
John James Audubon (born Jean-Jacques Rabin, April 26, 1785 – January 27, 1851) was a French-American self-trained artist, naturalist, and ornithologist.His combined interests in art and ornithology turned into a plan to make a complete pictorial record of all the bird species of North America. [1]
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
The humanist scholar Conrad Celtes compared Dürer's work to the literary work of the medieval philosopher and scientist Albertus Magnus who also based his work on the observation of nature. [8] Along with the Wild Hare, the Great Piece of Turf had been called one of the masterpieces of this part of Dürer's work. [9]
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