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The song's main riff was written by Joe Perry on a Fender Bass VI, which gives the song its distinctive "growl". Brad Whitford plays the lead guitar part. "Back in the Saddle" also features one of the heaviest and most noticeable bass lines by Tom Hamilton. The song is also notable for the slow buildup of the drum beat and guitar riff in the ...
I played bass for the first half of the song. Then I put the bass down and played guitar in the end, and Steven picked up the bass and played it for the rest of the song – all live in the studio! One take. [13] Hamilton remembers Douglas' assistance in developing the song: "Jack is a very open person. He always has time for what people come ...
Frontman Liam Gallagher wrote a number of songs for Oasis starting in 2000, including singles "Songbird" and "I'm Outta Time". After joining the band in 1999, guitarist Gem Archer wrote and co-wrote six songs for Oasis – four album tracks and two B-sides. Andy Bell replaced original Oasis bassist Paul McGuigan in 1999 and wrote five songs for ...
"Nobody's Fault" is often cited as one of the heaviest songs Aerosmith has ever recorded, and many musicians regard it highly. Guns N' Roses guitarist Slash and James Hetfield of Metallica both consider it one of their favorite Aerosmith songs. [3] [4] Additionally, Kurt Cobain mentioned the song as a favorite in his journal. [citation needed]
The song was featured at several electronic music festivals such as the Electric Daisy Carnival and the Ultra Music Festival before release; it was released as a digital download on 29 June 2018. [3] [4] Upon release, Rezazadeh commented about the song, writing "'Hex' is one of my heavier tracks. It was one of the easiest and most fluid ...
"I love the riff. It's a great riff song. I love playing it, and it's a very bass-heavy song, which always makes me happy." ~ Geddy Lee [89] "Cut to the Chase" Counterparts: 1993 "Genius is the fire that lights itself." ~ Neil Peart [90] "Nobody's Hero" Counterparts: 1993
Lennon wrote the song about his love for Yoko Ono. [3] It begins in 6 8 time, with an arpeggio guitar theme in D minor, progressing through E 7(♭ 9) and B ♭ 7 before cadencing on an A augmented chord. In this chord sequence, the F note is a drone. The bass and lead guitar ascend and descend with a riff derived from the D minor scale.
"Orion" is a multipart instrumental highlighting Burton's bass playing. A majority of the song was written by Burton, including the guitar solos. [4] It opens with a fade-in bass section, heavily processed to resemble an orchestra.