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The Sunset Scene by Tiffany Studios was a gift to the MAG museum collection in memory of Mr. and Mrs. Thomas B. Dunn by their family in 2002."Thomas B. Dunn, a business and community leader who, after making his fortune from the liquorice-flavoured mouth freshener, Sen, served as State Treasurer and Congressman" to the United States.
The large painting (described by one source as "monumental" [1]) took years for the artist to complete; it was only at the urging of friends that Rousseau finished the scene. Rousseau is widely recognized for his melancholic landscape paintings, which made extensive use of a muted color palette. [ 2 ]
A waterfall punctuates the landscape near the forest's edge, further animating the tranquil scene. [1] An image of the painting is difficult to fully capture with photography, particularly in the attempt to duplicate the intensity of the reflected orange and red sunset light which sparkles with scumbled paint. [2] "The painting seems to exude a ...
Aerial perspective as viewed towards a sunset, with the colour shifting toward red as a result of rayleigh scattering Dai Jin, "Landscape in the Style of Yan Wengui", early Ming Dynasty (1368–1644); a Chinese landscape painting using atmospheric perspective to show recession in space Frans Koppelaar, Landscape near Bologna, 2001; a painting ...
Frederic Edwin Church (May 4, 1826 – April 7, 1900) was an American landscape painter born in Hartford, Connecticut.He was a central figure in the Hudson River School of American landscape painters, best known for painting large landscapes, often depicting mountains, waterfalls, and sunsets.
Scene in a Church or Vaulted Hall 1830 The Tate, London 74.9 x 99.1 Sunset 1830-1835 The Tate, London 66.7 x 81.9 The Thames above Waterloo Bridge 1830-1835 The Tate, London 90.5 x 121 Figures in a Building 1830-1835 The Tate, London 91.4 x 121.9 Interior of a Great House: The Drawing Room, East Cowes Castle 1830 The Tate, London 90.8 x 121.9
Coast Scene: 1852: Oil on canvas: 20 in × 30 in (510 mm × 760 mm) Private collection [4] The Natural Bridge, Virginia: 1852: Oil on canvas: University of Virginia Art Museum Autumn [7] (also Autumn on the Hudson [8]) 1853: Oil on canvas: 20 in × 30 + 1 ⁄ 2 in (510 mm × 770 mm) Private collection [4] Mt. Ktaadn (Mt. Katahdin) 1853: Oil on ...
He joined several journeys of the Westward Expansion to paint the scenes. Bierstadt became part of the second generation of the Hudson River School in New York , an informal group of like-minded painters who started painting along the Hudson River . [ 1 ]