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Quality pieces tend to hold up over time.” Ultimately, she says she trusts her gut. If something feels solid, well-made, and timeless, it’s probably a winner.
A modern hand-carved portrait cameo of white on blue-layered agate, set in 18 kt white gold. Many modern cameos are carved into layered agates. The layers are dyed to create strong color contrasts. The most usual colors used for two-layer stones are white on black, white on blue, and white on red-brown. Three-layer stones are sometimes made.
All the figures are adorned with carved ornaments and surrounded by borders with reliefs of animals and birds. The lotus design is a common theme. On the ceiling are images of the Vidyadhara couples as well as couples in courtship and erotic Mithuna scenes. Through a cleft in the back wall of the cave is a square sanctuary with more carved images.
The typical form for temple images is a slab with a main figure, rather over half life-size, in very high relief, surrounded by smaller attendant figures, who might have freer tribhanga poses. Critics have found the style tending towards over-elaboration. The quality of the carving is generally very high, with crisp, precise detail.
Relief carving can be described as "carving pictures in wood". The process of relief carving involves removing wood from a flat wood panel in such a way that an object appears to rise out of the wood. Relief carving begins with a design idea, usually put to paper in the form of a master pattern which is then transferred to the wood surface.
Other pieces that women frequently wore were thin bands of gold that would be worn on the forehead, earrings, primitive brooches, chokers, and gold rings. Although women wore jewellery the most, some men in the Indus Valley wore beads. Small beads were often crafted to be placed in men and women's hair. The beads were about one millimetre long.
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