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The Parable of the Unjust Steward or Parable of the Penitent Steward is a parable of Jesus which appears in Luke 16:1–13.In it, a steward who is about to be fired tries to "curry favor" with his master's debtors by remitting some of their debts. [1]
Luke 16 is the sixteenth chapter of the Gospel of Luke in the New Testament of the Christian Bible. It records the teachings and parables of Jesus Christ, including the account of the "rich man and Lazarus". [1] There is an "overriding concern with riches" in this chapter, although other topics are also covered. [2]
Luke 18:1–8 The Rich Fool: Luke 12:16–21 Dives and Lazarus: Luke 16:19–31 The Great Supper: Luke 14:15–24 The Prodigal Son: Luke 15:11–32 The Unjust Steward: Luke 16:1–9 The Unprofitable Servants: Luke 17:7–10 The Pharisee and the Publican: Luke 18:9–14
The Parable of the Friend at Night (also known as the Parable of the Friend at Midnight or of the Importunate Neighbour) is a parable of Jesus which appears in Luke 11:5–8. In it, a friend eventually agrees to help his neighbor due to his persistent demands rather than because they are friends, despite the late hour and the inconvenience of it.
[9] Justus Knecht comments on the dignity of the soul, writing, "Jesus first healed the palsied man's soul, and then his body. He desired to teach us by this that He came to cure and save souls, that the soul is worth more than the body, and that the health of the body can only avail those whose soul is healthy.
The Parable of the Rich Fool by Rembrandt, 1627. The Parable of the Rich Fool is a parable of Jesus which appears in the Gospel of Luke. It depicts the futility of the belief that wealth can secure prosperity or a good life. This parable has been depicted by several artists, including Rembrandt, Jan Luyken, James Tissot, and David Teniers the ...
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[44] Pier Angelo Gramaglia, in his 2017 critical commentary on Klinghardt's reconstruction, made an extended argument that Marcion's Gospel is a two-source gospel, making use of Mark and Q, while canonical Luke builds on Marcion's Gospel in part from a secondary appropriation of Q material. [6]
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