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Stained glass windows in houses were particularly popular in the Victorian era and many domestic examples survive. In their simplest form they typically depict birds and flowers in small panels, often surrounded with machine-made cathedral glass which, despite what the name suggests, is pale-coloured and textured. Some large homes have splendid ...
Barnard Flower (died July or August 1517) was a Flemish glazier. He was King's Glazier to Henry VII and Henry VIII from 1505 to 1517, the first non-Englishman to hold this office. Flower came to work in England in the late 15th century. By 1496 he was working for Henry VIII providing glass for Woodstock and then Sheen Palace the following
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
Sold for: $1.5 million. Showcasing cascading shades of purple, blue, and lavender glass to mimic wisteria blossoms, this lamp was made by piecing together more than 2,000 individually-cut pieces ...
Edward Liddall Armitage or E. Liddall Armitage (1887–1967) was an English stained-glass designer. [1] He studied and worked with Karl Parsons and Henry Holiday before going into partnership with Victor Drury.
In the Stained Glass Museum at Ely is a design for a three light stained glass window for St Matthew's Church, Surbiton. The centre light shows the Virgin Mary and the Jesus Child. The outer lights shows angels, one holds a spear pointed at the large serpent which appears at the bottom of the three lights. This was executed in around 1920.
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