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Holy Manna is the hymn tune originally written for "Brethren, We Have Met Together", which is one of the oldest published American folk hymns. Holy Manna is a pentatonic melody in Ionian mode . It was originally published by William Moore in Columbian Harmony , a four-note shape-note tunebook , in 1829, and is attributed to him.
"I Lift My Hands" is a song by American contemporary Christian music artist Chris Tomlin from his 2010 album And If Our God Is for Us.... [2] It was released on April 23, 2011, as the third single. The song became Tomlin's fourth Hot Christian Songs No. 1, staying there for one week. [3] It lasted 33 weeks on the overall chart. [4]
Moen in 2018. He became a Living Sound musician for Terry Law Ministries and traveled with Terry Law for ten years. [2] After, he worked for Integrity Media for over 20 years, serving as creative director and president of Integrity Music, president of Integrity Label Group, and an executive producer of Integrity Music albums. [3]
One of several tunes for the hymn is by William P. Merrill (1867–1954). However, in the United States the main alternative piece of music that is used for the hymn is "Diademata" by George Job Elvey. This music has become more associated with "Soldiers of Christ, Arise" than the original "Soldiers of Christ" music, or any other single tune. [9]
I'll Rise Again is a gospel album by Al Green, released in 1983. [3]The album peaked at No. 4 on the Billboard Top Gospel Albums chart. [5] During the 26th Annual Grammy Awards in 1984, Green won the Grammy Award for Best Soul Gospel Performance, Male, being the first recipient of the category.
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The song is a cover parody of "Dynamite" by Taio Cruz, with lyrics retelling the Hanukkah story. It was released in late 2010 and quickly achieved viral status. [14] [15] [16] Since 2010, The Maccabeats have produced an annual Hanukkah music video. [17]
True Grit: Original Motion Picture Soundtrack is a soundtrack to the 2010 film of the same name. True Grit is the 15th Coen brothers film scored by long-time collaborator Carter Burwell . The Coens discussed the idea of using 19th-century church music, "something that was severe (sounding).