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Some anti-war songs lament aspects of wars, while others satirize war.Most promote peace in some form, while others sing out against specific armed conflicts. Still others depict the physical and psychological destruction that warfare causes to soldiers, innocent civilians, and humanity as a whole.
Lyrics include: "I don't want to work in a building downtown; I don't know what I'm going to do, 'cause the planes keep crashing, always two by two." Bloc Party "Hunting for Witches" A Weekend in the City: 2007: This song is about frontman Kele Okereke's observations on the media response to terrorist attacks after the September 11 attacks [38 ...
By the late 1980s, the "Napalm" cadence had been taught at training to all branches of the United States Armed Forces.Its verses delight in the application of superior US technology that rarely if ever actually hits the enemy: "the [singer] fiendishly narrates in first person one brutal scene after another: barbecued babies, burned orphans, and decapitated peasants in an almost cartoonlike ...
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The music video for "Sic Transit Gloria... Glory Fades" portrays Lacey as a human voodoo doll, who has the ability to move the body parts of other people through moving his own. "Since the song is about taking advantage of someone else," he said, "there's a pretty strong correlation between the video and the song."
"That's Life" is a popular song written by Dean Kay and Kelly Gordon, and first recorded in 1963 by Marion Montgomery. The song has an uplifting message that, despite the ups and downs in life, one should not give up but keep positive, because soon one will be "back on top."
The song was released as a single in the UK, and "None of Us Are Free" became a feature of Burke's later performances. The magazine No Depression described the song as "funk-fortified," and "a paean to justice through solidarity cowritten by Brill Building vets Barry Mann and Cynthia Weil" – in which Burke "admonishes on the chorus" while the ...
"Innocent" is a song written and recorded by the American singer-songwriter Taylor Swift from her third studio album, Speak Now (2010). Produced by Swift and Nathan Chapman, the song was written in response to Kanye West's interruption of her acceptance speech at the 2009 MTV Video Music Awards, feeling the need to sympathize with him after the public outrage he received.