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Ries Mulder. Marinus (Ries) Mulder (1 January 1909 in IJsselstein, The Netherlands – 19 December 1973 in IJsselstein) was a Dutch painter, lecturer and writer. His painting style was influenced by Cubism, which he taught during his tenure as a leading lecturer of Modern Art in Indonesia.
Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
In 1918, he co-founded Nouvelle Revue Française, the art journal to which he contributed articles on art theory until 1940. [ citation needed ] Lhote taught at the Académie Notre-Dame des Champs from 1918 to 1920, and later taught at other Paris art schools—including the Académie de la Grande Chaumière and his own school, Academy André ...
The same year, showing a great interest in color and reflecting the transient influence of Fauvism, the work of Gleizes became more synthetic with a proto-Cubist component. [ 5 ] [ 6 ] Albert Gleizes, 1911, Portrait de Jacques Nayral , oil on canvas, 161.9 x 114 cm, Tate Modern, London.
Henri-Robert-Marcel Duchamp (UK: / ˈ dj uː ʃ ɒ̃ /, US: / dj uː ˈ ʃ ɒ̃, dj uː ˈ ʃ ɑː m p /; [1] French: [maʁsɛl dyʃɑ̃]; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art.
The collaboration between Albert Gleizes and Jean Metzinger that would lead to the publication of Du "Cubisme" began during the aftermath of the 1910 Salon d'Automne. [3] At this massive Parisian exhibition, renowned for displaying the latest and most radical artistic tendencies, several artists including Gleizes, and in particular Metzinger, stood out from the rest.
This work is one of Metzinger's most conspicuous early examples of 'mobile perspective' implementation. Bohr's interest in Cubism, according to Miller, was anchored in the writings of Metzinger. Arthur Miller concludes: "If cubism is the result of the science in Art, the quantum theory is the result of art in science." [69]
Dasburg exhibited three oils and a sculpture [2] at the International Exhibition of Modern Art, better known the Armory Show, which opened in New York City's 69th Regiment Armory in 1913 and introduced astonished New Yorkers to modern art. [7] The three Cubist-oriented oils displayed at the 1913 show were considered "daringly experimental". [8]