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God is dead" (German: Gott ist tot [ɡɔt ɪst toːt] ⓘ; also known as the death of God) is a statement made by the German philosopher Friedrich Nietzsche. The first instance of this statement in Nietzsche's writings is in his 1882 The Gay Science , where it appears three times.
The mythology or religion of most cultures incorporate a god of death or, more frequently, a divine being closely associated with death, an afterlife, or an underworld. They are often amongst the most powerful and important entities in a given tradition, reflecting the fact that death, like birth , is central to the human experience.
Penal substitution, also called penal substitutionary atonement and especially in older writings forensic theory, [1] [2] is a theory of the atonement within Protestant Christian theology, which declares that Christ, voluntarily submitting to God the Father's plan, was punished (penalized) in the place of (substitution) sinners, thus satisfying the demands of justice and propitiation, so God ...
El Greco's Jesus Carrying the Cross, 1580.. Substitutionary atonement, also called vicarious atonement, is a central concept within Western Christian theology which asserts that Jesus died for humanity, [1] as claimed by the Western classic and paradigms of atonement in Christianity, which regard Jesus as dying as a substitute for others.
King of the Gods; A177.1. Gods as Dupe or Tricksters; A192. Death or departure of the gods; A193. Gods of Dying-and-rising; A200—A299. Gods of the Upper World A210. Gods of the Sky; A220. Gods of the Sun; A240. Gods of the Moon; A250. Gods of the Stars; A260. Gods of Light; A270. Gods of the Dawn; A280. Gods of the Weather. A281. Gods of ...
Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...
Victor Hugo saw several times the spectacle of the guillotine and was angered at the spectacle that society can make of it. It was the day after crossing the "Place de l'Hotel de Ville" where an executioner was greasing the guillotine in anticipation of a scheduled execution that Hugo began writing The Last Day of a Condemned Man.
Because of this Camus suggested that the maximum penalty should be being set at labor for life due to the possibility of judicial error, a life of labor in Camus's opinion being harsher than death but at least carrying the possibility of being reversed. The convicted would then also always have the option of choosing death via suicide.