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It is about "human connectedness, happiness, and the human spirit", [4] and explores themes including Darwinism, Western mores, loneliness, the economy, and the drive to war. The documentary includes animated scenes explaining scientific concepts, [ 9 ] as well as clips from the films Wall Street and It's a Wonderful Life .
In January 2022, Cooper signed with The Daily Wire to start a new podcast called The Comments Section with Brett Cooper. [10] According to the "About" section of the show's YouTube channel, it is a "viral content and news review show." [11] The Week described Cooper's show as "aim[ing] to capture a Gen Z audience on TikTok and YouTube."
Sarah finds her hospitalized brother, Daud, has been seduced by an agent of the Orbitals and is feeding them information by them. Sarah attempts to betray Cowboy and his people but has a last minute change of heart that results in her being barely able to escape with the help of Reno, the deceased smuggler surviving inside the internet as an AI.
Divorced writer Reed Rodney, who has recently had his jaw wired shut to recover from an accident, is visited by his estranged daughter Em. Reed is struggling working on a new book. Em argues with her father revealing he had numerous affairs and violently assaulted her mother, leading to the divorce. One night Em's boyfriend Peyton sneaks in the ...
As the retired special forces guy cleaning up nuclear debris, Joshua (John David Washington), flatly tells a fellow worker when she posits that the AIs were indeed after their jobs: “They can ...
Humans Need Not Apply is a 2014 internet video directed, produced, written, and edited by CGP Grey. It focuses on the future of the integration of automation into economics, as well as the impact of this integration to the worldwide workforce. It was released online on YouTube on 13 August 2014. [1] It was later made available via iTunes and ...
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We Live in Public was screened six times at the 2009 Sundance Film Festival before being awarded the Grand Jury Prize in the U.S. documentary category. [7] Timoner is the first director in the Sundance Film Festival's history to twice win the Grand Jury Prize for Documentary, having won in 2004 with Dig!.