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Most of the statues are of the patron saints of each guild. There are 14 statues or groups, two by Donatello, two by Ghiberti, and the Christ and St Thomas by Verrocchio (completed c. 1480). Ghiberti's Saint John the Baptist (1412) was the earliest of the six in bronze, still very much in the International Gothic style. [70]
Pair of Italian figures in painted wood, 18th century "Moor with Emerald Cluster" by Balthasar Permoser in the collection of the Grünes Gewölbe. Blackamoor is a type of figure and visual trope in European decorative art, typically found in works from the Early Modern period, depicting a man of sub-Saharan African descent, usually in clothing that suggests high status.
Jack ran the business, Leo ran production. The company produced piggy banks, plaques and (by the late 1930s) large store displays, including Indian statues for western themed restaurants. In the 1950s, they produced chalkware lamps, usually featuring paired male and female figures, and other home decor that is widely collected today.
Venus and Cupid by Antonio Frilli. Marble, late 19th century. In 1883, Frilli established his first and exclusive Atelier in via dei Fossi, Florence, where he worked with a few assistants on medium-size refined painted alabasters and big white Carrara marble statues for private villas and monumental cemeteries.
Pages in category "Statues in Italy" The following 33 pages are in this category, out of 33 total. This list may not reflect recent changes. A. Angelo Nocchiero; C.
He trained together with Giuseppe Rusconi in Rome. Here he executed the statues of St. Charles Borromeo and St. Bernard in the façade of Santa Maria Maggiore, a bust of Christine of Sweden (1740), the statue of Wealth in the Trevi Fountain (1735) [1] and the sepulchre of Duchess Grillo in Sant'Andrea delle Fratte (1752).
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