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The twelve-line poem is divided into three quatrains and is an example of Yeats's earlier lyric poems. The poem expresses the speaker's longing for the peace and tranquility of Innisfree while residing in an urban setting. He can escape the noise of the city and be lulled by the "lake water lapping with low sounds by the shore."
Therefore, young men of Lahore, raise once more that mighty banner of Advaita, for on no other ground can you have that wonderful love until you see that the same Lord is present everywhere. Unfurl that banner of love! "Arise, awake, and stop not till the goal is reached." Arise, arise once more, for nothing can be done without renunciation.
Gone From My Sight", also known as the "Parable of Immortality" and "What Is Dying" is a poem (or prose poem) presumably written by the Rev. Luther F. Beecher (1813–1903), cousin of Henry Ward Beecher and Harriet Beecher Stowe. At least three publications credit the poem to Luther Beecher in printings shortly after his death in 1904. [1]
V: How many hired servants in my Father's house abound with bread, and I here perish with hunger! I will arise, go to my Father and say to Him: P: Make me as one of Your hired servants.' Kyrie Eleison: Kyrie eleison. Christe eleison. Kyrie eleison. 'Lord, have mercy. Christ, have mercy. Lord, have mercy.' Pater Noster: Pater noster qui es in celis.
Below is the text of A solis ortus cardine with the eleven verses translated into English by John Mason Neale in the nineteenth century. Since it was written, there have been many translations of the two hymns extracted from the text, A solis ortus cardine and Hostis Herodes impie, including Anglo-Saxon translations, Martin Luther's German translation and John Dryden's versification.
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"Soldiers of Christ, Arise" is an 18th-century English hymn. The words were written by Charles Wesley (1707–1788), [ 1 ] and the first line ("Soldiers of Christ, arise, and put your armour on") refers to the armour of God in Ephesians 6:10–18.
Rudyard Kipling wrote a poem giving an interpretation of the younger brother's perspective. The poem appears as the heading to the fifth chapter, titled "The Prodigal Son", of his 1901 novel Kim. [34] [35] The Parable is a recurring theme in the works of Rainer Maria Rilke, who interpreted it in a different way to the conventional reading.