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The indigenous women of the Isthmus of Tehuantepec are known for wearing two huipils. The first is a short velvet huipil which is heavily embroidered with floral motifs and a second one for special occasions, usually white, which frames the face then extends over the head covering the neck and shoulders.
Such tunics are often found depicted on the various Roman monuments depicting victories over these peoples and show the tunic as a simple pull-over construction reaching to the mid-thighs or the knees. Similar tunics were eventually taken up by the Romans and continued to be used into the Byzantine period.
A traditional cotton kurta with wooden cuff-links-style buttons, centre placket opening with chikan, a style of embroidery from Lucknow, India. A kurta is a loose collarless shirt or tunic worn in many regions of South Asia, [1] [2] [3] and now also worn around the world. [4]
Bridal tunics are layered on top of each other; one old combination is as follows. A white nattiyak tunic as the base layer, a red tunic, a black tunic, a yellow tunic, and a blue tunic, topped by a red silk tunic and a green silk tunic, then a heavily embroidered tunic. These last three were probably liḥrīr likbīr. [31]
A sari (sometimes also saree [1] or sadi) [note 1] is a women's garment from the Indian subcontinent. [2] It consists of an un-stitched stretch of woven fabric arranged over the body as a robe, with one end attached to the waist, while the other end rests over one shoulder as a stole, [3] sometimes baring a part of the midriff.
Clothing in ancient Rome generally comprised a short-sleeved or sleeveless, knee-length tunic for men and boys, and a longer, usually sleeved tunic for women and girls. On formal occasions, adult male citizens could wear a woolen toga , draped over their tunic, and married citizen women wore a woolen mantle, known as a palla , over a stola , a ...
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