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In many cases, the Laghu-Prabandha-Saṅgraha version appears to be the oldest, being simpler, less polished, and more archaic in language. [5] This does not mean that the compiler of the Laghu-Prabandha-Saṅgraha was the original writer of the stories: he may have borrowed the stories from older literature or oral tradition. [6]
Kala Keerthi Sybil Wettasinghe (Sinhala: සිබිල් වෙත්තසිංහ) (31 October 1927 – 1 July 2020) was a children's book writer and an illustrator in Sri Lanka. [ 1 ] [ 2 ] Considered as the doyen of children's literature in Sri Lanka, Wettasinghe has produced more than 200 children's books which have been translated ...
Shortly thereafter he began a campaign to raise literary standards for the Sinhalese reading public with work such as Sahityodaya Katha (1932), Vichara Lipi (1941), Guttila Geetaya (1943) and Sinhala Sahityaye Nageema (1946) in which he evaluated the traditional literally heritage according to set rules of critical criteria formed by ...
Katha (or Kathya) is an Indian style of religious storytelling, performances of which are a ritual event in Hinduism. It often involves priest -narrators ( kathavachak or vyas ) who recite stories from Hindu religious texts , such as the Puranas , the Ramayana or Bhagavata Purana , followed by a commentary ( Pravachan ).
Through the 1960s, under its founding editor Balkrishna Rao and later under Rajendra Awasthi, Kadambini and a few other leading publications of the time, started publishing short stories (laghu katha) by leading writers like Agyeya, Mahadevi Verma, Kunwar Narayan and Ramanada Doshi.
As a publisher Katha publishes books for children, which include stories from mostly Indian folklore and mythology, translating stories into English and Hindi from 21 regional Indian languages, [4] [5] and today is a leading name in translation genre in Indian publishing, [6] [7] and has "firmly put translation onto the Indian publishing agenda ...
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The thirteenth book (Madiravati) is short and recounts the adventures of two young Brahmans, who have secret marriages with a princess and her friend. The incidents are curious and diverting and similar to the contrivances by which Madhava and Makaranda obtain their mistresses in the drama entitled Malatimadhava by Bhavabhuti .
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