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Record Collector is a British monthly music magazine focussing on rare and collectable records, and the bands who recorded them. It was founded in September 1979 and distributes worldwide. [ 1 ] It is promoted as "the world’s leading authority on rare and collectable records" and claims to be currently "the UK’s longest-running music magazine".
Look for Limited Edition Releases. If a record is highly collected, limited edition releases may be issued. These special releases can be extremely valuable, especially if only a small batch is ...
To celebrate the 40th anniversary of A Long Vacation, Record Collectors' Magazine published a retrospective series titled Along A Long Vacation that is written by music critic Manabu Yuasa, who previously worked as an assistant at Ohtaki's office/studio. A new installment was included in each monthly issue from May 2020 until March 2021.
Dayal Patterson of Record Collector wrote "Each album is presented here in a sturdy slipcase adorned with the original LP artwork, and there’s certainly no questioning the quality of the music – indeed, the majority of the albums here are considered vital entries in the heavy metal canon, with even the few weaker releases bearing some winning numbers.
Record Collector [ 8 ] Preludes: Rare and Unreleased Recordings is a two-CD compilation of music and interviews, including unreleased outtakes and demos, by singer-songwriter Warren Zevon , who died in 2003.
The Record Collector's Guide [to] American-[Issued Classical Music] Celebrity Discs. New York: Concert Bureau, College of the City of New York, [ca. 1960]. Overton, C. David. The Gramophone Record Library. London: Grafton & Co., 1951. 123 p. N.B.: This book is aimed at sound recordings collections in libraries, but much of the advice may be of ...
Dayal Patterson is a British author, music journalist and founder of publishing house, Cult Never Dies. He has written several non-fiction books about heavy metal music and has contributed to a number of metal magazines, such as Decibel, Terrorizer, Metal Hammer, Classic Rock Presents, Record Collector, NME, Zero Tolerance and online publications such as The Quietus.
In a retrospective review, Charles Waring of Record Collector magazine gave the album four out of five stars and called it a "techno-pop classic". He said that it encapsulates both the popularity of the Fairlight CMI synthesizer and popular music in 1984—"the dawn of a new pop sensibility where sequencers, samplers and drum machines held sway". [4]
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