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The ngoni (also written ngɔni, n'goni, or nkoni) is a traditional West African string instrument. Its body is made of wood or calabash with dried animal (often goat) skin head stretched over it. The ngoni, which can produce fast melodies, appears to be closely related to the akonting and the xalam .
"The banjo had its first big site of growth in this country among the enslaved population in the Chesapeake Bay region, who were my ancestors," Blount says. Meet the musician teaching the banjo's ...
The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In Banjo Roots and Branches, Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States.
Bob Carlin (born March 17, 1953, in New York City) is an American old-time banjo player and singer.. Carlin performs primarily in the clawhammer style of banjo. He has toured the United States, Canada, and Europe performing on various historical banjos (including gourd banjos), and has explored the African roots of the banjo by working with the Malian musician Cheick Hamala Diabate and the ...
The annual Banjo Collectors Gatherings also serve as the principal forums for the presentations of new research on the banjo's history and organology. Jatta's presentation, in which he performed on the akonting and showed film footage of other Jola musicians playing the instrument, made for quite a sensation.
During the period of British and French colonial rule, African slaves were prohibited from celebrating in Carnival; they continued to do so, secretly, at home. There, an Afro-Caribbean style of percussion, dance and song called benna developed. Later, Antiguan and Barbudan folk music became more dominated by Trinidadian calypso and steelpan.
Joel Sweeney. Joel Walker Sweeney (1810 – October 29, 1860), also known as Joe Sweeney, was an American musician and early blackface minstrel performer. He is known for popularizing the playing of the banjo and has often been credited with advancing the physical development of the modern five-string banjo.
"Cripple Creek" is an Appalachian-style old time tune and folk song, often played on the fiddle or banjo, listed as number 3434 in the Roud Folk Song Index. The lyrics are probably no older than the year 1900, and the tune is of unknown origin. It has become a standard among bluegrass musicians and is often one of the first songs a banjo picker ...