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From a global perspective, Japanese culture scores higher on emancipative values (individual freedom and equality between individuals) and individualism than most other cultures, including those from the Middle East and Northern Africa, sub-Saharan Africa, India and other South Asian countries, Central Asia, South-East Asia, Central Asia, Eastern Europe, Central America and South America.
Recent controversy focuses on the approval of a history textbook published by the Japanese Society for History Textbook Reform, which placed emphasis on the achievements of pre–World War II Imperial Japan, as well as a reference to the Greater East Asia Co-Prosperity Sphere with fewer critical comments compared to the other Japanese history ...
Japanese nationalism [a] is a form of nationalism that asserts the belief that the Japanese are a monolithic nation with a single immutable culture. Over the last two centuries, it has encompassed a broad range of ideas and sentiments.
In 1945, mokusatsu was used in Japan's initial rejection of the Potsdam Declaration, the Allied demand that Japan surrender unconditionally in World War II. To this day, the argument, or myth, [6] that mokusatsu was misunderstood, and that the misunderstanding interrupted a negotiation for a peaceful end to the war, still resurfaces from time ...
Japanese philosophy has historically been a fusion of both indigenous Shinto and continental religions, such as Buddhism, Taoism and Confucianism.Formerly heavily influenced by both Chinese philosophy and Indian philosophy, as with Mitogaku and Zen, much modern Japanese philosophy is now also influenced by Western philosophy.
Japanese Moral Education Past and Present. Fairleigh Dickinson University Press. ISBN 0-8386-3693-4. Miyoshi, Nobuhiro (2004). Henry Dyer, Pioneer Of Education In Japan. Global Oriental. ISBN 1-901903-66-4. Shibata, Masako (2005). Japan and Germany under the U.S. Occupation: A Comparative Analysis of Post-War Education Reform. Lexington Books.
The Tale of the Heike ' s origin cannot be reduced to a single creator. Like most epics (the work is an epic chronicle in prose rather than verse), it is the result of the conglomeration of differing versions passed down through an oral tradition by biwa-playing bards known as biwa hōshi.
During this period, although the Emperor of Japan was officially the ruler of the state and every lord swore loyalty to him, he was largely a marginalized, ceremonial, and religious figure who delegated power to the shōgun, a noble who was roughly equivalent to a military dictator.